Woodwind Doubling Bibliography

Abato, Vincent J. "Doubling Sax and Clarinet." Woodwind World 8 (March/April 1968): 9.

Bain, Kimberly Anne. “The Saxophonist’s Perspective on Woodwind Doubling: It’s History and Current Trends.” M.A. Thesis, Bowling Green State University, 1989.

Baines, Anthony. Woodwind Instruments and Their History. New York: W.N. Norton & Company, 1962.

Baum, Jamie. "Developing Your Articulation." Windplayer 8, no. 6 (November/ December 1991): 31.

Bayard, Richard F. "The Application of the Clarinetist's Training and Knowledge to the Study of Other Woodwind Instruments." Master thesis, University of Southern California, 1955.

Bloom, Lawrie, J. "Relaxed Breathing and Tonal Production." Windplayer 8, no. 6 (November/December 1991): 32.

Bonade, Daniel. The Clarinetist’s Compendium. Kenosha, WI: Leblanc Publications, 1962.

Bovyer, Gary. The Register Key as an Aid." Windplayer 53 (September 1995): 38.

Brown, Jeremy and Ervin L. Brown. "The Vinyl Plastic Lip Shield." Instrumentalist 36 (May 1982): 28, 30-31.

Brown, John Robert. How to Play the Saxophone. London: International Music Publications, 1983.

Brymer, Jack. Clarinet. London: Macdonald and Jane’s Publishers Limited, 1976.

Caldwell, James. "A Tone Symposium on Clarinet and Saxophone." Instrumentalist 34 (March 1980): 54-58.

Cantwell, Jean. "Doubling on Oboe and Saxophone." Woodwind. Brass and Percussion 25 (April 1985): 6-7.

Caplan, Stanley. "Doubling." Instrumentalist 23 (January 1969): 56-61.

Caravan, Ronald L. Extensions of Technique for Clarinet and Saxophone. D.M.A. Dissertation, University of Rochester, Eastman School of Music, 1974.

Carse, Adam. The Orchestra in the XVIIIth Century. Cambridge, England: W. Heffer and Sons Ltd., 1940.

Carter, Jack. "Double or Nothing," The Melody Maker 29 (December 1953): 17.

Casher, Ted. "Doubling: A Necessity for Gig-Players." Windplayer 3, no. 9 (November/December 1986): 25-26.

Chapin, Thomas. "Overtone Exercises to Build Embouchure." Windplayer 9, no. 2 (March/April 1992): 31.

Ciccarelli, Anthony J. "Vibrato: As Applied to Clarinet and Saxophone." Woodwind World 8 (March/April 1968): 5.

_____. "Vibrato: As Applied to Clarinet and Saxophone." Woodwind World 9 (December 1970): 27-28.

_____. "Vibrato: As Applied to Clarinet and Saxophone." Woodwind World 9 (February 1971): 8-9, 26.

Comagno, Nicholas A. "Laryngeal Movements Observed During Clarinet and Flute

Performance." Ph.D. diss., University of North Texas, 1990.

Dawson, James E. "Doubling Soprano and Alto Saxophone." Woodwind Brass, and Percussion 24 (November 1984): 14-16.

Delaney, Charles. "A Few Tips for Doublers." Windplayer 7, no. 3 (May/June 1990): 21.

Directory of Music Faculties in Colleges and Universities, U.S. and Canada 1994-95.  Boulder, Colorado: The College Music Society, 1994.

Dominik, William C. "The Training, Experience, and Present Position of the Woodwind Instructor in Higher Education." D.M.A. diss., University of Southern California, 1964.

"Doubling is Not New." Crescendo Publications 17 (November 1978): 36.

Duke, Stephen. "An Integrated Approach to Playing the Saxophone." The Saxophone Symposium 13, no. 4 (Fall 1988): 21-23.

Eley, Marcus. "In Search of the Perfect Reed." Windplayer 9, no. 3 (May/June 1992): 34.

Fabish, Thomas F. "Doubling as I See It." Instrumentalist 4 (March/April 1950): 11-12.
_____. "Roll Call on Doubling." Instrumentalist 4 (March/April 1950): 12-13.

Ferling, F.W. Forty-Eight Studies for Oboe and Saxophone. San Antonio, TX: Southern Music, 1958.

Filas, Thomas. "The Art of Doubling." Instrumentalist 17 (May 1963): 39.

Foster, Gary. “Thoughts on Doubling.” NAJE Educator 11 (December, 1970), 70-71.

Gardner, Brad. "Developing a Throat Vibrato." Windplayer 7, no. 1 (January/February 1990): 21.

Gee, Harry R. "The Joy of Multiple Playing." The School. Musician 58 (December 1986): 22-23.

_____. "Playing the Clarinet and the Saxophone." The School Musician 44 (October 1972): 22-25.

_____. "Studio Teaching of Clarinet and Saxophone." The School Musician 52 (October 1980): 22-23.

Gehring, Franz, "Johann Joachim Quantz," in Grove's Dictionary of Music and Musicians (5th edition, 1954): 1029.

Gold, Cecil V. Clarinet Performance Practices and Teaching in the United States and Canada. Moscow, Idaho: School of Music Publications, 1973.

_____. Saxophone Performance Practices and Teaching in the United States and Canada. Moscow, Idaho: School of Music Publications, 1973.

Gradwell, Jane. "Breathing for Woodwind Players." Woodwind World 13 (Spring 1974): 17, 37.

Graef, Victoria. "The Woodwind Specialist and the Flute." Muramatsu Flute News 2 (Summer 1979): 5-6.

Green, Bill. "Step by Step to a Richer Tone." Windplayer 51 (January 1995): 35.

Hahn, Richard. "Embouchure Exercises." Windplayer 7, no. 5 (July/August 1990): 21.

Handelsmann, Alan. "Learning the Flute as a Second Instrument." Flutist Quarterly 14 (Fall 1989): 18-19.

Hasselbach, Mark. "Sittin' In: Multi-Instrumentalism-As Applied to the Horn Player." The Canadian Musician 4, no. 6 (1982): 75.

_____. "Sittin' In: Multi-Instrumentalism-As Applied to the Horn Player Part II." The Canadian Musician 5, no. 6 (1982): 75.

Heim, Norman M. A Handbook For Clarinet Performance. New York: Kendor Music, 1970.

_____. Review of Programmed Instruction in Clarinet Pedagogy: a Feasibility Study, by R.J. Von Gruenigen. In Council for Research in Music Education 53 (Winter 1977): 57-59.

_____. "The Teaching of Register Change on the Bb Clarinet." Woodwind World 12, no. 2 (1973): 17-19.

Hemke, Frederick. Teacher’s Guide to the Saxophone. Elkhart, Indiana: The Selmer Company, 1977.

_____. “Teaching Saxophone Tone Production.” Instrumentalist 3 (April 1978): 37-39.

Hoberman, Arthur. "Listen Close to Cure Bad Tonguing." Windplayer 9, no. 5 (September/October 1992): 33.

Holgate, Max. "Some Thoughts on Multi-Instrumentalism." School Musician 56 (October 1984): 18-20.

Hourigan, Virginia. "A Woman Who Doubles." Woodwind World 12 (December 1973): 10-11.

Houston, Thomas Michael. "A Clarinet Method for the Saxophonist." D. Mus. Diss., Florida State University, 1973.

Hovey, N.W. Rubank Elementary Method. Miami, FL: Rubank, 1934.

_____.  Rubank Intermediate Method. Miami, FL: Rubank, 1934.

_____.  Rubank Advanced Method. 2 vols. Miami, FL: Rubank, 1934.

Joffe, Edward. “Woodwind Doubling: A Historical Survey and Examination of Performance Problems and Practices Between Saxophones, Clarinets and Flutes.” PhD diss., City University of New York, 2006.

Kanter, Jim. "Breathing and Blowing." Windplayer 7, no. 6 (November/December 1990): 22.

Karg-Elert. Twenty-Five Caprices and Sonatas. Frankfurt: Zimmerman, 1929.

Ketchum, Janet. "Is Your Flute Playing a Pain in the Neck?" Windplayer 8, no.3 (May/June 1991): 23.

Klose, H. Twenty-Five Daily Exercises. NY: Carl Fischer, 1967.

Klug, Howard. "Tips to Help Improve Your Articulation." Windplayer 54 (April 1996): 38.

Knepper, Noah A. "A Man Who Doubles." Woodwind World 12 (April 1973): 6-7.

Kynaston, Trent. “Saxophone Embouchure.” Instrumentalist 28 (December 1973): 7-9.

Lang, Rosemary. “Teaching Vibrato.” Instrumentalist 17 (January 1963): 64-65.

Langenus, Gustave. “Playing the Clarinet.” Instrumentalist 10 (December 1995): 24-26.

Leeson, Cecil. “The Modern Saxophone Mouthpiece.” Instrumentalist 15 (October 1960): 18-20.

Londiex, Jean Marie. Exercises Mecaniques Tous le Saxophones. 2 vols. Paris: Lemoine, 1961.

Low, Floyd E. “Sluggish Tonguing on the Clarinet: Prevention and Cure, Part I.” Instrumentalist 12 (April 1958): 39-41.

_____. “Sluggish Tonguing on the Clarinet: Prevention and Cure, Part II.” Instrumentalist 12 (May 1958): 40-43.

Luckey, Robert A. "Flute Doubling for Saxophonists." Woodwind World 24 (September 1984): 4-8.

_____. "Saxophone Doubling for Flutists." Woodwind World 24 (March 1985): 4-7.

Marcus, Michael. "Doubling on Stritch and Manzello." Windplayer 10, no. 4 (July/August 1993): 39.

Maxwell, Art. "Master class: Tips on Multi-Reed Performance." Windplayer 10, no. 6 (November/December 1993): 37.

McCathren, Don. "Woodwind Clinic: Special Problems of Single Reed Instruments." Instrumentalist 16 (April 1962): 58-60.

McGinnis, Donald E. "The Flute Double." Instrumentalist 9 (February 1955): 20-23.

_____. "The Flute Double." Instrumentalist 9 (February 1955): 20-23.

McLaughlin, Dennis Brian. "An Investigation of Performance Problems Confronted by Multiple Woodwind Specialists." Ed.D. disc., Columbia University Teachers College, 1985.

Melago, Kathleen and Jennifer Laubenthal. “Tips for Teaching the Clarinet to Musicians Who are Proficient on Another Instrument.” NACWPI Journal 61 (Fall 2012): 10-13.

Messenger, Joe. "Tonguing and Speed." Windplayer 7, no. 3 (May/June 1990): 19.

Miles, Nancy. "Breathing Exercises for Wind Players." Windplayer 54 (April 1996)

Miller, Daniel. "What Do You Tell Sax Players Who Want to Take Up Clarinet." Windplayer 8, no. 5 (September/October 1991): 8, 22, 40, 43.

Moody, James. "Some Tips for Doublers." Windplayer 8, no. 2 (March/April 1991): 21.

Mule, Marcel. Dix-Huit Exercises. Paris: Leduc, 1943.

Nagro, C. F. "Ability to Transfer or Double on Instruments." Instrumentalist 8 (December 1953): 14.

Nallin, Walter E. "To Double or Not to Double." Instrumentalist 4 (March/April 1950): 10-11.

Neville, Thomas. "The Doubler's Approach to Flute Playing." Woodwind World 13 (Winter 1974): 16-18.

Nimitz, Jack. Mouthpieces, Reeds and Your Sound." Windplayer 7, no. 6 (November/December 1990): 23.

Norton, Donald B. “Daily Approach to Playing the Clarinet.” Instrumentalist 27 (November 1972): 40-41.

Palmer, Harold G. Teaching Techniques of the Woodwinds. NY: Belwin, 1952.

Peeples, Georgia. "Finding Our Roots: A Preliminary Bibliography of Woodwind Tutors in Nineteenth-Century America." NACWPI Journal 31 (Summer 1983): 9-14.

Polk, Keith. "Municipal Wind Music in Flanders in the Late Middle Ages." Brass and Woodwind Quarterly (Spring/Summer 1969): 1-15.

Quantz, Johann J. On Playing the Flute. New York: The Free Press, 1966.

Ratner, Robert S. "An Approach to Woodwind Doubling: Saxophone, Clarinet, Flute." Master thesis, State University College, Potsdam, N.Y., 1977.

Rehfeldt, Phillip. "Guide to Playing Woodwind Instruments." NACWPI Journal 40, no. 4 (Summer 1992): 17-18.

Reimer, Bennett. "Woodwind Doubling: Mind Over Matter." Instrumentalist 13 (January 1959): 57-58.

Richmond, Kim. "Doubling on Clarinet." Windplayer 52 (March 1995): 39.

Ricker, Ramon L. "Woodwind Doubling-A Brief Look At Its History." Woodwind World 12 (September 1973): 10, 13, 22.

_____. "Woodwind Doubling in the Studios, an Interview with George Morge." Instrumentalist 30 (March 1976): 66-70.

Richmond, Kim. "Woodwind Doubling." Instrumentalist 33 (January 1979): 54-56.

Richmond, Stanley. Clarinet and Saxophone Experience New York: London, Dartman, Longman, and Todd, 1972.

Ronkin, Bruce. The Orchestral Saxophonist. 2 vols. Cherry Hill, NJ: Roncorp, 1978.

Rousseau, E. The Eugene Rousseau Saxophone Method. 2 vols. NY: Kjos, 1981.

_____. “Saxophone Tone Quality.” Instrumentalist 16 (June 1962): 44-46.

Saucier, Gene A. Woodwinds: Fundamental Performance Techniques. New York: Schirmer Books, 1982.

Schattschneider, Adam J. “Selected Pedagogical Approaches Employed by College Instructors of Flute, Clarinet and Saxophone.” D. Mus. Diss., Indiana University, 1997.

Shank, Bud. "Doubling, It's All in the Power of the Mind." Crescendo International 18 (June 1980): 23-24.

Simon, George T. The Big Bands, New York: The Macmillan Company, 1971.

Smith, Catherine P. "Doublers, Eighteenth-Century Style." Woodwind Brass and Percussion 17 (Fall 1978): 14-15.

Smith, Charles Raymond. "A comparative Study of Blowing Pressure and Air Flow Rate in Clarinet and Saxophone Performance." D. Mus. Diss., Indiana University, 1982.

Smith, Walker. “Saxophone Embouchure, An Analytical Approach.” Instrumentalist 28 (March 1974): 75-78.

Soccocio, Thomas R. "A Brief History of Woodwind Doubling." Woodwind Brass and Percussion 16 (March 1977): 6-7.

Sossin, Eddie. "Woodwinds: Four Major Areas of Practice." The Canadian Musician 7, no. 4 (1985): 70-71.

_____. "Woodwinds: Doubling," The Canadian Musician 6 (Fall, 1984): 71.
Surman, Patricia. “Those Pesky B-Flat Fingerings!” NACWPI Journal 61 (Winter 2012-2013): 13-15.

Swoboda, John. "Woodwind Doubling." NACWPI Journal 39 (Summer 1991): 29-30. Taylor,

Laurence. "Shall I Double?" Instrumentalist 9 (January 1955): 51-52.

Taylor, Roberto. "If You Want a Flute as Your Doubling Instrument." The Melody Maker 27 (August 1951): 8.

Teal, Larry. Daily Technical Exercises. Bloomington, IN: Etoile, 1972.

_____. “Preparing to Start the Saxophone Tone.” Instrumentalist 8 (February 1954):   21-22.

_____. The Art of Saxophone Playing. Evanston, Illinois: Summy-Birchard Company, 1963.

_____. The Saxophonist’s Workbook. Ann Arbor, MI: University Music Press, 1954.

_____. "Double Trouble." Etude 73 (April 1955): 19.

Thomas, Neville. "The Doubler's Approach to Flute Playing." Woodwind World 13 (Winter 1974): 16-18.

Thompson, Phil A. "A Historical Survey of Woodwind Doubling and a Form/Style Analysis of Four Works for Doubler and Wind Ensemble, a Lecture Recital Together with Three Recitals of Selected Works by W.A. Mozart, A. Glazounov, P. Tate, A. Szalowski, A. Copland and Others." D.M.A. diss., University of North Texas, 1993.

_____. "The Evolution of Woodwind Doubling: A Historical Survey." The Clarinet 16 (November/December 1988): 22-24.

Turabian, Kate, L. A Manual for Writers of Term Papers, Theses. and Dissertations. 5th ed. Chicago: University of Chicago.

Turner, Nick. “The Saxophone Family: Playing Characteristics and Doubling.” In The Cambridge Companion to the Saxophone, 94-100. United Kingdom, 1998.

Vaccaro, Mike. "The Challenge of Woodwind Doubling." NAJE 3, no. 2 (1971): 24-25, 29.

Vadala, Chris. “Doubling His Standards: Chris Vadala on Woodwind Doubling.” Jazz Educators Journal 32 (March 2000): 90-93.

_____. Improve Your Doubling: Advanced Studies for Doublers. Medfield, Mass: Dorn Publications, 1991.

_____."Tips on Doubling: And "De Bate" Goes On: Sax Slickum or Flute Voodoo." Saxophone Journal 19, no. 1 (July/August 1994): 10-12, 14-15.

_____. "Tips on Doubling: Double Trouble." Saxophone Journal 20, no. 1 (July/August 1995): 29-32.

_____. "Tips on Doubling: Extended Flute & Saxophone Techniques." Saxophone Journal 18, no. 1 (July/August 1993): 51-54. ,

_____. "Tips on Doubling: Piccolo Power." Saxophone Journal 18, no. 3 (November/December 1993): 44-46, 79.

_____. "Tips on Doubling: Playing the Clarinet." Saxophone Journal 13 (November/December 1988): 18-21.

_____. "Tips on Doubling: Playing the Clarinet, Part II." Saxophone Journal 13 (March/April 1989): 16-17.

_____. "Tips on Doubling: Playing the Clarinet, Part III." Saxophone Journal 14 (July/August 1989): 38-40. ,

_____. "Tips on Doubling: The Bassoon." Saxophone Journal 20, no. 5 (March /April 1996): 27-31. ,

_____. "Tips on Doubling: The Oboe." Saxophone Journal 20, no. 3 (November/ December 1995): 28-33. ,

_____. "Tips on Doubling: The Other Flutes." Saxophone Journal 19, no. 3 (November/ December 1994): 28-31. ,

_____. "Tips on Doubling: To Freeze or Not to Freeze: That is the Question!" Saxophone Journal 18, no. 5 (March/April 1994): 26-30. ,

_____. "Tips on Doubling: Responses From Readers." Saxophone Journal 19, no. 5 (March/April 1995): 22-25.

Voxman, Himie. Selected Studies. Miami, FL: Rubank, 1942.

Watabe, Junichiro. “Single Reed Doubling: A Clarinet Method for Saxophonists.” Ed. D. University of Northern Colorado, 2008.

Washburn, Clinton. "The Doubler's Dream." Woodwind World 4 (February 1963): 6-7.

Webb, Robert K. "Concept Preservation in Woodwind Doubling." NACWPI  Journal 17 (Spring 1969): 40-41.

_____. "Woodwind Doubling." School Music News 38 (September 1974): 28.

Westphal, Frederick. Guide to Teaching Woodwinds. Dubuque, Iowa: WM. C. Brown Company Publishers, 1962.

Wheeler, Raymond L. "Pedagogical Concepts for Reed Instrument Performance, Based on Cineradiographic Research of the Oral Cavity." NACWPI Journal 25, no. 3 (Spring 1977): 3-10.

_____. "Tongue Registration and Articulation for Single and Double Reed Instruments." NACWPI Journal 22 (Fall 1973): 3-12.

Weinstein, I. Jay. The Master Speaks: Joe Allard's Saxophone and Clarinet Principles Seattle: RIA Business Concepts, 1988.

Wilkins, Frederick. “An Approach to Flute Playing for Doubler.” Woodwind Anthology pp. 6-8. Rudo S. Globus, ed. NY: Woodwind Magazine, 1952.

Wright, David. "Clarinet Teaching for the Non-Clarinetist." Instrumentalist 33 (September 1978): 50, 52-53.

Wye, Trevor. A Trevor Wye Practice Book for the Flute. London: Novello, 1991-1994, vols. 1-6.