San Carlo alle Quattro Fontane--page 2 (of four pages)

Borromini
1665-76





The undulating movements and sculptural effects are characteristic of Baroque architecture. One of the most theatrical practitioners of the Baroque style, Borromini is said to have eliminated the corner in architecture. The door in the convex central bay is echoed by the convex window enframement in the upper story. A statue of St. Charles Borromeo, added later, occupies the lower story niche, which is echoed by the medallion in the upper story. Herms with angel heads and arched wings frame the niche.
 
 

View of the top of the corner facade

 

Unique capitals and oval windows on the lowest register

Borromini's capitals are unique variations on composite capitals. The underside of the lintel of the main portal has a wreathe of stars and the oval windows on the ground floor have foliate frames.


Continue to page 3--views of the interior.

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© 2006 Mary Ann Sullivan. I have photographed (on site), scanned, and manipulated all the images on these pages. Please feel free to use them for personal or educational purposes. (I would appreciate being told if you find them useful.) They are not available for commercial purposes without my explicit permission.