The Witnessing Body in Anabaptist Ritual
Gerald Biesecker-Mast
“Ritual in Anabaptist Communities” Conference of the Anabaptist-Mennonite Scholars Network and the Anabaptist Sociology and Anthropology Association
In
1527, a beleaguered and fractured body of mostly Swiss Anabaptists gathered at
Schleitheim to hammer out a statement of self-understanding that could serve to
unify their movement. The result of that
meeting was a text that we know as the Schleitheim Brotherly
SEPARATION AT SCHLEITHEIM
We begin where the
Schleitheim Brotherly
Dear brothers and sisters, we who have been assembled in the Lord at Schleitheim on the Randen make known, in points and articles, unto all that love God, that as far as we are concerned, we have been united to stand fast in the Lord as obedient children of God, sons and daughters, who have been and shall be separated from the world in all that we do and leave undone…[2]
This statement can be understood, I think, as what J. L. Austin called an illocutionary speech act; that is, an act that is accomplished or performed in the speaking of the statement.[3] Examples of illocutionary speech acts are “I pronounce you husband and wife” or “I hereby sentence you to death” or “I promise to tell the truth.” At Schleitheim, the Anabaptists said “We hereby declare ourselves separated from the iniquities of the present political-religious system.” They did not say that “we will no longer have anything to say to that system” or that “we will abandon them entirely to their own devices”; in fact, the Schleitheim pact acknowledged that God was at work within the civic order as enforced by the sword. But they did regard that system as incompatible with the mission of the church, and thus they sought to establish a community that did not accept the civic order as a significant frame of reference; put differently they established themselves as an other of that order, a group that didn’t really fit there.
According
to
Thus far, it might be argued, I have not described a ritual, at least if being a “repetitive act” is part of the definition, but I have at least described what Austin calls a performative utterance—speech that is more about doing something than it is about representing something.[6] I do want to argue that this performative utterance or illocutionary speech act constitutes a significant symbolic horizon for Anabaptist-Mennonite ritual. Before I do that however, I want to complicate the speech act theory I’ve just invoked by turning to the work of two writers who both affirm and revise speech act theory.
THE BODY AND THE TEXT
Judith Butler has
called attention to the role of the body in the speech act and has noted how
the bodily character of the speech act makes it surpass the limits of intention
or reason alone.[7] Drawing on the work of Toni Morrison and Shoshana Felman,
That
Anabaptist practices of separation and suffering are not simply the
result of personal will or determination is reinforced by Jacques Derrida’s
critical reading of speech act theory in his well-known essay “Signature Event
Context.” There Derrida argues that the performative
characteristics that speech act theorists like J. Austin attribute to some
kinds of speech—such as illocutionary speech—are in fact true of all kinds of
communication and that the misfires and failures that speech act theory
recognized in some performative speech occur in all
communication practices.[8] In other words, speech of all kinds is more a
performative event than it is a representation of
reality or as a reflection of meaning.
So we can look at a confessional text like the Schleitheim Brotherly
If Derrida is correct, such textual or ritual movement is on the one hand experienced as definitive because of precedents for its practice; at the same time, Derrida argues, textual or ritual events are never simply repeated, they are rather iterated, compromised in their repetition by history, temporality, and absence. While traditional speech act theorists ask the question “why do some speech acts not work or take hold” Derrida asserts that all texts are compromised by at least some failure. We can best recognize or notice those slippages and failures when we read a text precisely as a happening, an act, a performance. To be sure, our continued attempts to repeat practices in a ritual fashion can perhaps be seen as precisely the failure of all signifying practices. To recall an example from Grimes’s presentation yesterday, while a second funeral might produce more closure, Derrida’s argument here would support the acknowledgment in the closing lines of that funeral narrative that we are always left finally on the slippery banks of Jordan, that the meaning or closure of any text is always giving way at some point to slippage and loss of footing. For the purposes of this study, the important point is that practices of separation are iterated texts; therefore, we should expect the positioning or identity of the separated body to change over time, and that these shifts and movements can be detected both over a long stretch of time and actually within a text itself.
I have brought
How then are we to evaluate the impact of a ritual text on those who are the subjects of such rituals? Specifically, what sort of subject is produced in Anabaptist-Mennonite ritual texts?
Michael Aune has asked this question with particular attention to the production of religious subjects in Lutheran ritual. Aune has called attention to the way in which ritual functions not so much to produce meaning as it does to constitute subjectivity; that is, a social experience of the self.[9] In his study of the rhetorical theories of Lutheran reformer Philip Melanchthon, Aune highlights the way in which Melanchthon promoted forms of liturgy and preaching that were designed to “move the heart” in Christian faithfulness. On this view, Lutheran ritual and preaching as conceived by Melanchthon was less concerned with right beliefs as it was with right motivations. The subject of such discourse was an interactive and relational subject capable of “construing the world in ways that envision and empower.”[10] Shaped by the revival of the rhetorical tradition in the Renaissance, Melanchthon’s approach focused on the desires and needs of complex human subjects whose actions resulted not only from intellectual decisions but also emotional experiences. Liturgical and homiletic practices were construed to address not only the intellect but also the desires and feelings of Christians. It is clear from Aune’s research that the subject of Lutheran ritual and rhetoric as conceived by Melanchthon is one controlled by the “heart,” a subject whose conversion or faithfulness is identified with the experience of emotional arousal or intensity of commitment, a subject, in short of persuasion.
Aune’s discussion of Lutheran ritual theory and practice is useful for understanding Anabaptist rhetoric and ritual because of the impact on Anabaptist texts and communities of the Reformation movements that reshaped liturgical and practical theology along the lines of the rhetorical tradition. For example, Aune’s list of the “major characteristics of humanism’s affective, practical theology,” drawn from the work of Siegfried Wiedenhofer, includes the following aspects which also seem to characterize Anabaptist texts and rituals: a reform-focused theology that is more rhetorical than logical-systematic, a Christocentric theology that poses a critique of tradition, a scriptural theology that understands itself as true revelation, a practical theology concerned with the Christian life and the question of salvation, an existential theology communicated more through personal witness than correct doctrine.[11] This sounds like much Anabaptist writing and argment to me. Yet, while Anabaptists were shaped by these forms of Reformation discourse, I argue that their primary rhetorical goal was less to “move the heart” than it was to move the body in obedience to Christ. This observation in its general implication might be seen as quite commonsensical by now. For example, a recent book by ritual theorist Catherine Bell remarks that Amish-Mennonites constitute an obvious example of an orthopraxically-focused group within a broader Christian orientation toward orthodoxical rituals.[12] For her an orthopraxically-focused group is defined as one concerned more with correct behaviors than with correct beliefs.[13] Now while this observation has already been popularized and then dismissed as passé within the world of Mennonite studies, I want to return to this claim that Anabaptist-Mennonite groups have stressed orthopraxy over orthodoxy and test it more thoroughly through the study of those ritual and textual practices in which Mennonite separation was shaped and iterated. Because our knowledge of early Anabaptist worship is very limited we will need to infer a great deal from texts that described Anabaptist assumptions about worship, as well as texts that were used in worship such as hymns and accounts of baptism and other practices.
SEPARATION AND SPECTACULAR SUFFERING IN ANABAPTIST RITUAL
That
Anabaptist worship following the Schleitheim declaration stressed separation as
the experience and purpose of worship is supported by one of the few accounts
of early Anabaptist worship that is available to us. In 1576, a Lutheran vicar by the name of
Elias Schad covertly visited an Anabaptist meeting
near
Schad’s allusion to the context of the meeting is significant, for the experience of ritual is, like many theorists have observed, construed through multiple dimensions of context and precedent. Here clearly the experience of separation is reinforced by the setting for the meeting: in the woods apart from the commerce and risk of social life in the villages and cities. Also, significant, in my view, is Schad’s observation that the sermons were not particularly eloquent or effective in his view. No doubt Schad was evaluating the sermons from the perspective of a Lutheran concern to arouse emotions and to “move the heart.” As far as Schad could tell, these Anabaptists did not show evidence of having their hearts moved. He noted that during the preaching “some were standing, some were leaning against trees, many were seated, many lay on their sides, some lay face down, some were napping and some even sleeping.” Moreover, he noted the rather undignified strategy for keeping people awake: “One man was appointed to walk constantly among them with a candle like the cupper in the public bath and shake the sleepers and nap-takers, saying, ‘Get up, Brother,’ or ‘Wake up, Brother, and hear the Word of the Lord!”[16] Now, while this approach to maintaining consciousness during worship may have seemed rather crass to a Lutheran minister who was no doubt concerned with symptoms of personal motivation and emotional arousal as criteria for authentic worship; for the gathered Anabaptists, the appointment of a waker-upper could be read as a simple iteration of their habits of mutual correction as a strategy of maintaining obedient bodies and group solidarity.
And while Schad’s account can provide us with a surface sketch of the apparent techniques of Anabaptist worship ritual and the central role of separation as a theme, it does not provide evidence for the particular experience of separation that might have been evoked or produced in such a worship service, apart from the apparent nonverbal feedback to the sermon observed by Schad. Nor does Schad’s account really deal with the subjective experience of simply having joined one’s own body to this alternative social body, of having chosen Christ through showing up in a clandestine meeting. To fill in that texture of subjective experience, I turn to what apparently became a central feature of Anabaptist worship—hymn-writing and singing. Here I will draw on the songs found in the earliest edition of the Ausbund—that well-known collection of martyr hymns still used by the Amish in their worship, edited recently into a critical edition of English translations by Robert Riall and Galen Peters.
The songs of the Ausbund are a rich resource for ascertaining the contents of early Anabaptist self-understanding and religious experience. Perhaps especially because they are hymn texts designed for bodily and communal experience of singing, do these hymn texts provoke a greater appreciation for Anabaptist spiritual experience. Rebecca Slough has argued that hymn singing “can create a sense of communal unity, cohesiveness, or esprit de corps that is palpable.” While one way of understanding the particular kind of unity and cohesiveness that is created might be to study either the tunes or practices associated with group singing, I will focus—rhetorician that I am—on the texts themselves. What kinds of ritual claims were made in these songs and what experiences of separation are articulated?
In
a song by Michael Schneider, one of the prisoners at the
In other hymns
this salvation sequence is placed in a context that emphasizes the centrality
of suffering to an even greater extent. For example, another text attributed to
Michael Schneider begins with the expression of a desire to sacrifice—meaning a
desire to make a witness through martyrdom: “Lord God Father on your throne,
we, your dear children, want now to bring you the sacrifice to praise your
name, just as you have prepared it to your honor and glory.”[19] In this hymn, the sacrifice of martyrdom is
construed not so much as an act of self-denial as an act of liberation from the
powers of the world: “Lord God Father, Pharaoh has long hindered us and has not
wanted to let us go to bring you the sacrifice. But now the sea is dividing.
Help us, O Father our Lord, to press through with joy.”[20] Following this allusion to the liberation of
the Hebrews from
That changing versions of this partly ambiguous and sometimes contradictory experience of separation through spectacular suffering shaped the reception of practically all Anabaptist liturgical practices is a hypothesis that remains to be tested. However, I would offer anecdotal evidence concerning the practices of baptism and the Lord’s Supper.
My
example of how the experience of baptism was reshaped through the expectation
of spectacular suffering comes from the way in which the Hutterite
Chronicle tells the story of the first baptism. In that account the decision of
the
This sense in which baptism was a decision that led one into a life of suffering separation is continued in accounts and descriptions of baptism by numerous Anabaptist writers. As late as 1744, American Mennonite minister Henry Funk could restate the standard Anabaptist view, found also in Ausbund hymns and many early Anabaptist writers that baptism involved three dimensions—baptism with water, with the spirit, and with “the passion of Jesus.” This third baptism with blood and suffering is named by Funk as that baptism by which Jesus “conquered and overcame the devil, and sin, and triumphed over them, and thereby opened a way into his everlasting kingdom…”[23] That baptism of suffering is to be shared by Jesus’ disciples, according to Funk: “And in this manner also is the affliction and suffering of the disciples and followers of Christ, which they endure for his sake, in bearing his cross after him, called a baptism.”[24]
Likewise, we find in Anabaptist descriptions of the Lord’s Supper a similar overwriting of the ritual by the expectation of suffering separation. In the Schleitheim Brotherly Union, for example, the bread and the cup are said to pose a stark choice for participants between mutually exclusive loyalties: “We cannot be partakers at the same time of the table of the Lord and the table of devils…thus all who follow the devil and the world, have no part with those who have been called out of the world unto God.”[25] The well-known Anabaptist tendency to identify with the crushed grains that are made into one loaf also confirms this orientation to the Lord’s Supper.
Perhaps we can best summarize the posture of the Christian body in Anabaptist ritual and rhetoric by recalling a statement made in an early Anabaptist tract entitled “On the Satisfaction of Christ” that contrasts Anabaptist views on the atonement with those of Catholics and Protestants. Addressing the Protestants, the text argues that “they would like to obey God with the soul and not also with the body, so that they might be without persecution.” This text articulates clearly what was at stake for Anabaptists in framing separation as spectacular suffering: through suffering separation not only the soul, but also the body, could be moved in obedience to Christ.
That form of separation that stressed suffering was clearly replaced in later Mennonite practice by other iterations or framings. In my research, I want to examine how separation is experienced during the shift to humility theology, where the primary opposition in Mennonite rhetoric is between the proud and the humble. Further changes could no doubt be identified in the emergence of a doctrinal era, where separation is defined along fundamentalist lines. But that is a project for another day.
In the meantime, I want to speculate about three effects of this kind of separation rhetoric and ritual that I have identified—both in its earlier form of suffering and in its later forms. To my way of thinking, separation is a Mennonite ritual posture that has persisted despite changes in theological identity, even during the adoption of theological or doctrinal forms that contradicted separation. Separation is less a claim than it is a ritual text, a habit of reading, speaking, acting, and witnessing that provides a distinctive challenge and particular resources for those who are its subjects. Among those resources are 1) an increased capacity to sustain loyalties and identifications discrepant with conventional wisdom and ideology; 2) an increased tendency toward starting over with a newly separated community of believers as a way to deal with church conflict (often experienced by separation-minded people as a choice between apostacy and faithfulness); 3) an ability to appropriate spiritual and theological resources from traditions that contradict basic Anabaptist convictions while overwriting those contradictions with habits of life and discipleship that follow from Anabaptist convictions that are now performed more than articulated. In other words, separation helps explain why some Mennonite young men became C.O.’s during the first two world wars, even though they couldn’t explain why. It might explain why people in my parent’s conservative Mennonite church who have practically no interest in anything that goes by the name Anabaptist theology would at the same time never dream of including members of the military in their church. In a world where Anabaptist convictions so contradict conventional wisdom that it becomes difficult for many Mennonites to explain their Christian commitments, rituals or performances that reassert the otherness of the believing body without requiring explanation or elaboration can enable ordinary people to manage the struggle to be faithful to defenseless gospel of Jesus, even while they are reading spiritual and devotional materials that neglect to advocate for an upside-down kingdom.
Rather than search for new forms of spirituality that can sustain Mennonite commitments, this analysis suggests that the best way to sustain radical Christian commitments in the Mennonite tradition is to cultivate practices that situate members as the bodily witnesses of a separated, exiled (not necessarily withdrawn!) community, liberated to identify with Jesus and with Jesus’ sufferings, and thus moved to the experience of joy and praise.
[1] Gerald
Biesecker-Mast, “Anabaptist Separation and Arguments Against
the Sword in the Schleitheim Brotherly
[2] John Howard Yoder, The Legacy of Michael Sattler (Scottdale, PA: Herald Press, 1973), 35.
[3] J. L. Austin, How to Do Things With Words (New York: Oxford University Press, 1965), 99-103.
[4] Ibid., 103-107.
[5] Yoder, Legacy, 38.
[6] For a thorough description of what might be entailed in ritual, see Ronald Grimes, Ritual Criticism: Case Studies in Its Practice, Essays on its Theory (Columbia, SC: University of South Carolina Press, 1990), 14.
[7] Judith Butler, Excitable Speech: A Politics of the Performative (New York: Routledge, 1997), 4-13.
[8] Jacques Derrida, Limited Inc (Evanston, IL: Northwestern University Press, 1988),16-19.
[9] Michael
B. Aune, “The Subject of Ritual: Ideology and
Experience in Action” in Michael Aune and Valerie DeMarinis, eds., Religious
and Social Ritual: Interdisciplinary Explorations (
[10] Michael B. Aune, To Move the Heart: Philip Melanchthon’s Rhetorical View of Rite and Its Implications for Contemporary Ritual Theory (San Franscisco: Christian Universities Press, 1994), 111-116.
[11] Aune, To Move the Heart, 21.
[12] Catherine Bell, Ritual: Perspectives and Dimensions (New York: Oxford University Press, 1997), 196.
[13] Ibid., 191.
[14] Elias Schad, “True Account of An Anabaptist Meeting at Night in a
[15] Ibid.
[16] Ibid.
[17] Robert
A. Riall, trans., and Galen A. Peters, ed., The Earliest Hymns of the Ausbund (
[18] Ibid.
[19] Ibid., 74.
[20] Ibid.
[21] Ibid.
[22] Ibid., 37.
[23] Henry Funk, A Mirror of Baptism, with the Spirit, with Water, and With Blood (Mountain Valley, VA: Joseph Funk and Sons, 1851), 83.
[24] Ibid., 84
[25] Yoder, Legacy, 37.