National Auditorium

Teodoro González de León and Abraham Zabludovsky
1990; 1952, designed by Mexican architects Pedro Ramírez Vázquez and Gonzalo Ramírez del Sordo




.
Although the auditorium was originally constructed in 1952 and used more often for sporting events, today this large remodeled venue, seating about 10,000, is used primarily for concerts, theater, dance, film festivals, and exhibitions. There is also a smaller auditorium for smaller audiences.

Although Teodoro González de León worked with Le Corbusier and is thus modernist in his style, he was born in Mexico City and uses elements of his tradition. His modernist concrete buildings also evoke pyramids or the plazas of Mesoamerica's ancient cities (or even the palaces and churches of the Spanish conquerors). The patio or plaza, a crucial element in the indigenous tradition, is a constant in his works.

Monumental building

The public space of the street is continued on the raised entrance plaza with extensive and broad steps.
 
 

La Luna, a large bronze sculpture by Juan Soriano

 

Sculptural fountain

I do not know the name of the artist of this work. If you do, please send me an email.
 

 

Tres Figuras Áureas, by the architect of the Auditorium, Teodoro González de León

 

 

Entry into the outdoor roofed lobby of the auditorium

 
 

The outdoor roofed lobby of the auditorium

 





See also the Mexican Embassy in Berlin, Rufino Tamayo Museum, University Museum of Contemporary Art (MUAC) and Arcos Bosques Torre I and II in Mexico City by Teodoro González de León.


Click here to return to index of art historical sites.

Click here to return to index of artists and architects.

Click here to return to chronological index.

Click here to see the home page of Bluffton University.


© 2017 Mary Ann Sullivan. I have photographed (on site) and manipulated all the images on these pages. Please feel free to use them for personal or educational purposes. (I would appreciate being told if you find them useful.) They are not available for commercial purposes without my explicit permission.